| HOME | BIOGRAPHY | APPEARANCES | REVIEWS | AUDIO | PHOTOS | LINKS | CONTACT |
|   | |||||||
|
"He probably had the finest trio of soloists we could hear at present... Jonathan Saunders' superb bass that had awesome power... brought the impact that could truly thrill" David Denton, Yorkshire Post, Dream of Gerontius. "Rodrigo, Don Carlo's friend, who sacrificed himself for him, was the wonderful baritone Jonathan Saunders" Vivien Window, Harborough Mail, Don Carlo. "...to have the same singer (Jonathan Saunders) take the parts of the anti-Semitic Roman Polydorus and the kindly paterfamilias who takes pity on the Holy family may strike some as odd, although he was vocally first-rate." Robert Matthew-Walker, classicalsource.com, L'enfance du Christ. "Jonathan Saunders used his firm, well-rounded baritone astutely as both Priest and Angel of the Agony." Martin Dreyer, York Press, Dream of Gerontius. "Jonathan Saunders' ever-intelligent bass." Martin Dreyer, York Press, St Matthew Passion. "baritone Jonathan Saunders, rather good" Roderic Dunnett, Church Times, Mankind "Equally fine was Jonathan Saunders as the scheming barber. His performance at Tuesday's first night was smooth and polished and his voice was extremely pleasing." John Manning, The Herts Advertiser, The Barber of Seville.
|